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Prague Palimpsest: Writing, Memory, and the City, by Alfred Thomas
Free Ebook Prague Palimpsest: Writing, Memory, and the City, by Alfred Thomas
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A city of immense literary mystique, Prague has inspired writers across the centuries with its beauty, cosmopolitanism, and tragic history. Envisioning the ancient city in central Europe as a multilayered text, or palimpsest, that has been constantly revised and rewritten—from the medieval and Renaissance chroniclers who legitimized the city’s foundational origins to the modernists of the early twentieth century who established its reputation as the new capital of the avant-garde—Alfred Thomas argues that Prague has become a paradoxical site of inscription and effacement, of memory and forgetting, a utopian link to the prewar and pre-Holocaust European past and a dystopia of totalitarian amnesia.
Considering a wide range of writers, including the city’s most famous son, Franz Kafka, Prague Palimpsest reassesses the work of poets and novelists such as Bohumil Hrabal, Milan Kundera, Gustav Meyrink, Jan Neruda, V�tĕzslav Nezval, and Rainer Maria Rilke and engages with other famous authors who “wrote” Prague, including Guillaume Apollinaire, Ingeborg Bachmann, Albert Camus, Paul Celan, and W. G. Sebald. The result is a comparative, interdisciplinary study that helps to explain why Prague—more than any other major European city—has haunted the cultural and political imagination of the West.
- Sales Rank: #2895446 in Books
- Published on: 2010-10-01
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .70" w x 6.00" l, 1.01 pounds
- Binding: Hardcover
- 200 pages
Review
“Prague Palimpsest explores the complex interplay between history and imagination in representations of what the poet Vitĕzslav Nezval called the ‘city-book.’ . . . The five main chapters supply fresh discussion of particular traditions: myths of the city’s origin; the Golem and Prague’s Jewish heritage; Kafka and his legacy; the relationship between Prague and Paris in the interwar avant-garde; and the writings of Paul Celan, Ingeborg Bachmann, and W. G. Sebald. Each supplies a rich store of examples, and shows a different Prague: nationalist capital, Gothic Praga magica, or city of surrealist fl�nerie.”
(Times Literary Supplement)
“Prague Palimpest should find an eager audience among scholars curious as to how writers have written in or around the city. Brief but elegant summaries of the works under discussion are followed by inspired interpretations.”
(Slavic Review)
About the Author
Alfred Thomas is professor of English and Germanic Studies at the University of Illinois at Chicago and the author of five books, including, most recently, The Bohemian Body: Gender and Sexuality in Modern Czech Culture.
Most helpful customer reviews
3 of 3 people found the following review helpful.
A Beautiful, Sensitive Treatment of Prague's Literary Uses
By Richard Demma
A hauntingly beautiful, sensitive treatment of Prague's literary tradition and the uses authors - both Czech and foreign - have made of the City as a 'palimpsest' of changing images through which they can exorcise their own personal demons and the traumas of the past century. This is especially so of German authors dealing with the traumatic guilt of the holocaust. I also found the book quite sad, as it recounts such immense suffering witnessed and experienced by the city and its inhabitants. Almost unbearable. It also makes for an excellent review of the Czech literary tradition, from its early past to its 19th century giants like Jan Neruda, all the way up to the contemporary lights of Michal Ajvaz and Sylvie Germain. Also invaluable is the author's treatment of Prague's most famous literary son, Franz Kafka. For the first time, I finally understood Kafka's place in the Czech literary tradition, and yes, he does have a place. He would not have become the author so well known today without the profound literary influences upon him of the great Czech authors of the past. The fact that he self-consciously chose to distance himself from this tradition (to universalize himself) and to eradicate from his writings any specific, concrete references both to the literary tradition and to Prague itself as a specific city does not take away from this fact. In this fashion, he somewhat resembles Samuel Beckett in relation to his own Irish literary tradition and the great Western dramatic tradition. For the first time I understood that Kafka does not simply float disembodied in space as an alienated German speaking Jew in the Czech lands. He grew out of the Czech literary tradition, was nourished by it, and in his own countervailing way contributed immeasurably to its enrichment. I book I will surely read again. HIghly recommended.
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