Fee Download Serpent of the Nile: Women and Dance in the Arab World, by Wendy Buonaventura
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Serpent of the Nile: Women and Dance in the Arab World, by Wendy Buonaventura
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Focusing on the 19th and early 20th centuries, the author shows how Arabic dance came to be influenced by Western ideas about art and entertainment. But the influence was two-way. In the heyday of "Orientalism", Arabic dance exerted a powerful influence on the Western imagination - on such writers as Flaubert, such artists as David Roberts and Jean-Leon Gerome, and such imitators as Colette and Mata Hari. Their fascination was often based on common fantasies about the women of the Middle East. Yet, as the book's illustrations show, this obsession also produced wonderfully evocative images. At the turn of the century, the genre also had an impact on fashion, theatre and popular entertainment.
- Sales Rank: #4725174 in Books
- Published on: 1989-11-16
- Original language: English
- Number of items: 1
- Dimensions: 11.42" h x 1.10" w x 9.84" l,
- Binding: Hardcover
- 208 pages
From Publishers Weekly
A study of the history of the Middle Eastern solo woman's dance.
Copyright 1994 Reed Business Information, Inc.
Review
'A delight to browse through and just as interesting to read...sumptuously illustrated.' Time Out 'A lively and lavishly illustrated excursion into the history of the solo woman's dance.' --The New York Times Book Review
"An articulate book that speaks with many voices of the glory as well as the shadows surrounding the oriental dance of yesteryear and today.
Buonaventura's amalgamation of materials-textual and visual-evoke a work by someone whose respect for the subject is both tasteful and thoughtful...Arabesque salutes the authoress..." --Arabesque Magazine
"Serpent of the Nile features a perceptive discussion of the history of female solo dancing in the Middle East and its effect on dancers and artists throughout the world. The ninety full-color and fifty black-and-white sumptuous illustrations communicate the color and sensuality, poetry and passion, sophistication and subtlety of her subject." --Dance Magazine
About the Author
Wendy Buonaventura is an established dancer and choreographer. Her performance work was the subject of a television documentary, Making Mimi. She has written and presented programmes for BBC Radio 4, and has performed and lectured extensively throughout Europe and the USA. She is the author of I Put a Spell on You and Beauty in the East. Her website is www.buonaventura.com
Most helpful customer reviews
3 of 3 people found the following review helpful.
A beautiful but limited history
By Alli
I would like to second everything in Teresa Robert's review. This is a beautiful, wonderful book. But as an actual history of "oriental" dance it lacks nuance and complexity, which is partly due to limited evidence and the author's romantic attachment to the women-centered mythology about this dance. For instance, the text overstates the evidence for connections between the belly dance of the last 150 years and the practices of ancient, goddess worship in presumably more woman-friendly times. I share this same romantic attachment to the dance's feminist roots, but actual history is always more fought and complex. As a result the author over-generalizes and does a incomplete job analyzing the orientalism that feeds so much of the beautiful imagery she includes. In the end, this book is great resource for costuming, late 19th century orientalist accounts of the women's dance, and a vast range of old pictures & photos. Moreover it does a decent job with the early to mid 20th century history and professionalization of the dance. Just look to additional sources for a more well-rounded history, particularly for pre 20th century and regional dances/costuming. I still highly recommend this book to anyone interested in bellydance or orientalism. The images alone are worth the price.
3 of 3 people found the following review helpful.
illustrations poor in new version
By Zelee
I bought this book because I'd seen the original and loved it. I was very dismayed to see the new size of this version because half the charm of the book is it's illustrations. I didn't open the book for a week thinking I might return it. When I decided to open it I was extremely disappointed. Not only are the illustrations so small now, but they are also badly reproduced, not sharp and with details missing.
DON'T BUY THIS BOOK if you ever saw and loved the first version.
2 of 2 people found the following review helpful.
Serpent of the Nile
By Suzanne Darling
Dont get me wrong I love the content of the book, however I had owned a copy of the book before that was a larger A4 size book. I was very disappointed when this copy turned up and it is a much smaller book (almost half the size) and so all those lovely images do not have the same impact. Also I preferred the image of the original books cover. The quality of the cover wasn't there either.
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